- Shadow text adobe photoshop 6.0 full version#
- Shadow text adobe photoshop 6.0 software#
- Shadow text adobe photoshop 6.0 professional#
While this new capability is not meant to do away with the need for professional layout programs, it will certainly allow for one-stop design for projects such as posters and book covers. The only way around this before version 6.0 was to import the image into another program like Illustrator or Quark Xpress. Outputting a piece directly from Photoshop used to mean blurry text and vector shapes. While it’s an obvious benefit to have these drawing tools within Photoshop for creative purposes, it’s a major timesaver for print output. Notably, version 6.0 now supports editable vector drawing of shapes and text with resolution-independent output. Photoshop 6.0 offers some significant new capabilities that expand the utility of the application and enhance the functionality of already standard features. Users will need to pay close attention, though, as some tools are now accessed through different keyboard shortcuts. In such cases, tools are clearly named on the tool flyout menus. For example, the paintbucket and gradient fill tools now share a spot. In addition to new tools, the toolbox has been rearranged in the interest of common sense. Every tool has its own brush palette and blending mode controls, so there’s no longer confusion when switching quickly between tools and brush sizes is necessary. The options for each tool also provide expanded controls. Users working at resolutions under 1024×768 can make use of the handy “palette well” feature to store palettes out of sight but with quick access. Now permanently present on the desktop, the options bar can be free-floating, or docked at the top or bottom of the screen. Normally I would gripe about losing desktop space, but the new context-sensitive options bar (formerly a palette) is worth it. Image pixels and transparency can be locked separately, and layers can be locked to prevent accidental editing. Layer-level controls are also more comprehensive. Layers can be grouped into folder-like, color-codable “sets,” and modified together simply by selecting the set in the layers palette. Users no longer have to deal with that pesky 99 layer limit ostensibly, you can have an unlimited number of them.
Somewhat similar to Illustrator 9’s layer system, Photoshop 6’s new layers palette is a vast improvement. Here’s a rundown of the key interface improvements: Layers Palette Of course, there are changes to things such as keyboard shortcuts to contend with, but that’s a small price to pay for the added benefits. In the short time I’ve been using Photoshop 6, I have found it to be more efficient and intuitive than previous versions, with once convoluted tasks now greatly simplified. It’s evident that the developers were paying close attention to what designers have been hoping for, and provided several capabilities not previously thought possible.
Improvements to the Version 6.0 interface are perhaps the most valuable components of the upgrade.
Shadow text adobe photoshop 6.0 full version#
It takes me back to a time when full version number upgrades actually meant something.
This latest installment is perhaps the biggest overall improvement to Photoshop since the introduction of layers, wth a myriad of new capabilities and enhancements sure to please designers. With failed competitors like Macromedia XRes and LivePicture long defunct, Photoshop hasn’t had to worry about being shown-up by other image editors for a while (with the only exception in the web production category). Looking at Adobe® Photoshop® 6, however, I must admit that I’m only half-right.
Shadow text adobe photoshop 6.0 software#
I usually point to competition as the main impetus for software companies to keep improving their products. Share your comments on this topic with other web professionals